Operation
Positioning the microphone on a drum
- Use the microphone clamp MZH 604 to attach the e 904 to the rim of the drum.
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Position the microphone on the drum so that it is 3 to 5 cm above the drumhead.

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It is vital to observe the following notes:
- Position A and B: The fundamental to overtones ratio can be adjusted by changing the angle of the microphone.
The most balanced results are obtained at an angle of 30 to 60°.
- Resulting sound A: More fundamental; little overtones
- Resulting sound B: Less fundamental; many overtones
- Position C: Use of a second e 904 for picking up the bottom of the drumskin and the snares.
- The lower microphone must be phase-reversed to avoid phase-cancellation effects due to the second microphone being on the other side of the drumskin

- Position A and B: The fundamental to overtones ratio can be adjusted by changing the angle of the microphone.
The most balanced results are obtained at an angle of 30 to 60°.
Positioning the monitor loudspeakers
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To prevent feedback and crosstalk, postion your monitor loudspeakers in the angle area of the highest cancellation of the microphone (approx. 180°).

